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MARCH 16TH, 2019
7PM

PAIRINGS!

ARTISTS PRESENT SCENES FROM MOVIES PAIRED WITH ANYTHING OF THEIR CHOICE


AN EVENING OF SENSORY DELIGHTS
Sight! Sound! Tastes! Smells! A feast for the mind and the senses!
PAIRINGS, hosted by Amanda Pohan

The following PAIRINGS were presented:
As the Dream House Turns—a home movie by Amanda Pohan
Opening scene from Accattone (1961, Pier Paolo Pasolini) paired with French fries.
Contributed by Itziar Barrio
Strike scene and musical number from Newsies (1992, Kenny Ortega) paired with edible scabs, a text, and the audience yelling “eat the scabs! eat the scabs!”
Contributed by Patric Costello
Solo slow dance and smoking scene from Un Chant d’Amour (1950, Jean Genet) set to Chris Isaak’s Wicked Game.
Contributed by Neil Sanzgiri
Poem recitation scene from Poetry (2010, Lee Chang-dong) paired with shots of sake.
Contributed by Sue Jeong Ka
The scene in which Kika is called to make up the dead Ramon, who turns out to be very much alive from Kika (1993, Pedro Almodóvar) paired with a picture of Anderson Cooper, a participatory performance recalling sexual awakenings and white supremacy with audience activation.
Contributed by Camilo Godoy
The birth of Sand-Man scene from Spider-Man 3 (2007, Sam Raimi) paired with rock candy.
Contributed by Saki Sato
A scene in which Sing, searching for Mui, discovers she is heartbroken by tasting her steamed buns which have turned salty with her tears from Shaolin Soccer (2001, Stephen Chow) paired with vegetable steamed buns and soy sauce.
Contributed by Andrew Gayle
A scene describing the limits and possibilities of militarized machine seeing from Eye/Machine III (2003, Harun Farocki) paired with a broken CRT television set.
Contributed by Jake Davidson
Final scene from Who Framed Roger Rabbit (1998, Robert Zemeckis) paired in split-screen with the final scene from Akira (1988, Katsuhiro Otomo).
Contributed by Jason Katchadorian
A scene from Dumb and Dumber (1994, Peter Farrelly) which ends in an airbag inflating in Jim Carrey’s face, paired with dozens of white helium balloons.
Contributed by Dean Erdmann
A scene from Celine and Julie Go Boating (1978, Jacques Rivette) in which the protagonists have visions of a psycho-sexual melodrama, paired with a group hypnosis session and hard candy.
Contributed by Lily Benson
Bathroom scene with Mink Stole from Another Gay Movie (2006, Todd Stephens) paired with the audience yelling out a name of someone they should have told they love sooner.
Contributed by Kelwin Coleman



DECEMBER 15TH, 2018
7PM

PAIRINGS!

ARTISTS PRESENT SCENES FROM MOVIES PAIRED WITH ANYTHING OF THEIR CHOICE


AN EVENING OF SENSORY DELIGHTS
Sight! Sound! Tastes! Smells! A feast for the mind and the senses!
ARTISTS AND MOVIES TBD


NOVEMBER 3RD, 2018
7PM
The World Premiere of Megan Hattie Stahl's new documentary film, Laura in Search of Teeth, screened alongside two of her other recent works. Screening followed by a rousing Q&A with the filmmaker.

PROGRAM

Be Cute, Now!

4 min, 2017, MHS
Why do people turn into filmmakers once they become parents? What are they trying to capture when filming their children, treating them as adorably charismatic hosts of talk show with an audience of few? And what if their children don't follow the script?

Laura in Search of Teeth

33 min, 2018, MHS
Laura L. Brown is a collector of oddities, Facebook entertainer, and self-proclaimed Christian Hippie Freak living in McMinnville, Oregon. Her family is still getting used to it. An intimate look at life, death, trauma, and the wonders of formaldehyde. The film features an original score by Megan Hattie Stahl and Nate Terepka.
Note: Contains sexual content, mentions of sexual violence, and graphic footage of human organs.


dreamer

OCTOBER 27TH, 2018
5PM

DEAR DREAMER

MUSIC VIDEO RELEASE
SCREENING AND LIVE SHOW
100 ROCHESTER AVENUE, BROOKLYN
DOORS OPEN 5PM | DONATION-BASED ENTRY | ALL-AGES

opening

AUGUST 3RD, 2018
7PM
An OPENING OF OPENINGS:

To celebrate our opening night, we have asked artists and friends to choose an opening scene from any movie they wish.
Opening scenes can be masterpieces in their own right. Even mediocre films sometimes have remarkable openings.
This evening will be a continuous screening of openings: a full- length screening of a never-ending movie.

In order of appearance:
The Magic Flute, Ingmar Bergman, 1975
suggested by Tamy Ben-Tor
Tampopo, Juzo Itami, 1985
suggested by Rotem Linial
La Ronde, Max Ophlüs, 1950
suggested by Constance DeJong
Full Metal Jacket, Stanley Kubrick, 1987
suggested by Jesse Lockard
The Matrix, The Wachowski Brothers, 1999
suggested by Jessie Pelegrino
Back to the Future, Robert Zemeckis, 1985
suggested by Kerry Downey
Jackass: The Movie, Jeff Tremaine, 2002
suggested by Nathan Carey
Andrei Rublev, Andrei Tarkovsky, 1966
suggested by Simone Kearny
Paris is Burning, Jennie Livingston, 1991
suggested by Erik Patton,
To Kill a Mockingbird, Robert Mulligan, 1962
suggested by Tali Keren
A Nightmare on Elm Street 3: Dream Warriors, Chuck Russell, 1987
suggested by Shellyne Rodriguez
Bound, The Wachowski Brothers, 1996
suggested by Aschley Cone
The Night of the Hunter, Charles Laughton, 1955
suggested by Hadar Ben-Tzur
Dawn of the Dead, Zack Snyder, 2004
sugested by Davíd Lockard
Et la tendresse?... Bordel!, Patrick Schulmann, 1979
suggested by Amir Zeidani
Babe: Pig in the City, George Miller, 1998
suggested by Mike Crane
Uccellacci e uccellini, Pier Paolo Pasolini, 1966
suggested by Ben Hagari
Duel, Steven Spielberg, 1971
suggested by Solveig Nelson
Scream, Wes Craven, 1996
suggested by Alon Shkedi
The City of Lost Children, Marc Caro and Jean-Pierre Jeunet, 1995
suggested by Jonah King
Macbeth, Orson Welles, 1948
suggested by Tomer Rosenthal
Coraline, Henry Selick, 2009
suggested by Fay Kolokytha
Cabaret, Bob Fosse, 1972
suggested by Zohar Shafir
Midnight Cowboy, John Schlesinger, 1969
suggested by multiple people
Once Upon a Time in the West, Sergio Leone, 1968
suggested by Rotem Linial
Working Girl, Mike Nichols, 1988
suggested by Ella Gilboa
The Neverending Story, Wolfgang Petersen, 1984
suggested by Gordon Hall

LET THERE BE LIGHT

Cinema Balash, 100 Rochester Avenue, Brooklyn